• Home
  • Theater
  • ‘Life of Pi’ Roars to Life On The Broadway Stage

‘Life of Pi’ Roars to Life On The Broadway Stage

The critically acclaimed bestselling book and box office hit movie Life of Pi is seeing a third resurgence with its adaptation to the Broadway stage, premiering on March 30th at the Gerald Schoenfeld Theatre.

Life of Pi, originally written by Yann Martel, is a story of spirituality, metaphysics, and hope.  The book’s protagonist, Piscine Molitor “Pi” Patel, is thrust into a world of adventure and chaos when a cargo shipwreck leaves him stranded on a lifeboat with a hyena, zebra, orangutan, and a 450-pound Bengal tiger.  For 227 days, they remain stranded; and encounter obstacles (both mentally and physically) as well as providence and eventual rescue. 

Lolita Chakrabarti, an accomplished English actress, writer, and producer, has taken on the tall task of bringing the story to the Broadway stage with a vigor that carried her past any apprehensions until the initial previews.  

In an interview with Broadway Direct’s Frank Dilella, when asked if she had any trepidations about adapting the book to the stage (which was once also seen as a near impossible to bring to the film prior to the 2012 Ang Lee adaptation), Lolita had this to say:

“Foolishly, no. [Laughs.] I loved the book, so I thought I could do that. The main question everyone asked was, How are you going to do the tiger? And I just thought, ‘We’re going to do it.’ Then the first preview in Sheffield [Theatres, in England] happened; just before the preview, I remember feeling fearful, and it suddenly dropped, and I thought, ‘What was I thinking?’ So my reaction was a bit delayed.”

The theatrical adaptation is quite a daunting task and demands every bit of effort and skill to bring the story to life.  Besides the superb acting (with the return of 2022’s Olivier Award-winning actor Hiran Abeysekera as Pi) and elaborate set, the tiger is a work of impressive puppetry prowess, requiring a team (with Fred Davis and Scarlet Wilderink returning to their roles within the puppetry team, after winning Olivier awards for their work in the Sheffield adaptation).  

Audiences will be able to attend preview performances from the 9th until the 30th.

Share:

Join Our Mailing List

    Recent Articles

    Op-Ed: My Experience in Transitioning from Stage to Film Acting

    On stage, you’re required to “fill the room” with your presence. Bigger, grander, bolder gestures are encouraged. If you don’t project your voice, the audience members in the back rows may not be able to hear you, especially if you aren’t provided a microphone. In a black box theater, the distance may only be 30 feet. In theaters like the Gershwin Theatre in New York City, the distance is exponentially larger.

    Jonas Brothers Announce Five-NIght Residency on Broadway

    “Your boys are back in town,” a tweet from Nick Jonas announcing the Jonas Brothers’ five-show, limited engagement run at the Marquis Theatre March 14-18. Jonas Brothers on Broadway: 5 Albums 5 Nights will feature Nick, Joe, and Kevin Jonas performing a different album each night. The albums include – Jonas Brothers, A Little Bit Longer; Lines, Vines and Trying Times; Happiness Begins; and their new album set to release in May, The Album.

    New Village’s ‘Ferryman’ Lead Actor Back Onstage after 20-Year Break

    “The Ferryman” is coming to the New Village Arts Theatre for its regional premiere in Carlsbad, California. Thomas Edward Daughtery is also set to play the lead role of Quinn Carney, the gentle-natured father of seven trying to hold his family together during the Irish “Troubles.” This production continues through March 5 and, according to his bio in the program, marks Daughtery’s first time on stage in 20 years. Back in 2003, he was in the original cast of a new Stephen Sondheim musical that played in Chicago and Washington, D.C.

    The Important Art of Costume Design

    Have you ever seen a show live and been completely transfixed by a character’s costume? Maybe it was something dramatic like an onstage costume change that caught your eye, or maybe you wondered how an actor was able to dance and move around in a period-accurate floor-length gown without passing out from heatstroke. Whatever it might have been, I assure you it was intentional. The art of costume design is one of the most creative, thoughtful, and important parts of a show’s production, not by chance but because it has to be. Costume design is one of the most important parts of production design because of its ability to immediately convey a setting, enhance a performer’s stage presence, and express themes and moods throughout the show.

    Why Warm-Ups Matter

    For many people, the life of an actor is one that appears glamorous and exciting, but there is often a fear that inhibits people from pursuing this lifestyle. This fear is, unfortunately, one that cannot be avoided by an actor as simply as a claustrophobe might avoid small spaces. Performance anxiety is a very real and very limiting fear that often confronts people and deters them from following their passion for performing. Though it can be incredibly fun and cathartic to perform, it can also be very hard at times for actors to overcome the anxiety that comes with bearing one’s emotions and actions to an audience. Thankfully though, there is a way to work through this roadblock. By spending enough time warming up before a performance, actors may soothe their anxiety enough for them to put on a show. The physicality and social aspects of acting warm-ups make warm-ups a well-suited weapon for combating performance anxiety and thus putting on a better show.

    Why Schools Need More Drama Education

    One of the most memorable learning experiences in my days as a grade schooler didn’t take place inside a classroom, but rather on the stage of my quaint elementary school’s small auditorium. A traveling acting duo–a man and woman, whose names I’ve sadly forgotten– stopped by our school to sweep us up in a two-day improv training experience, where the children of my grade got to romp about on stage and build upon a variety of kid-imagined scenarios in the name of theater. I found the whole thing amazing, and it connected me and my classmates in a way that I had never experienced before. Though I had no formal knowledge of the technical benefits of drama instruction, I knew even then that this was something everyone should experience.

    Hey! Are you enjoying NYCTastemakers? Make sure to join our mailing list for NYCTM and never miss the chance to read all of our articles!